MESA® boost pedals are incredibly powerful for adding boost, drive and/or EQ to any guitar and amp combination. The simplest and most straightforward boost pedal type is the clean boost. Please refresh the page and try again. They can be used not only as a transparent boost but also as a utility to boost the output of single coils to match a humbucker or as a subtle overdrive when a standard overdrive may be too much.
Whereas, a digital pedal is not so easily overdriven, with digital overdrive pedals not having the same warmth as an overdriven analog preamp. With that being said, this unit not only boosts your input signal, but there are additional features that include tonal control and signal thickening/thinning. As you can hear from the video demonstration, the Xotic EP pedal is highly versatile, providing a nice clean boost with plenty of high-end clarity when the knob is around 12 and the brightness boost DIP switch is engaged. There’s a bit of extra brightness when applied, but aside from that, it’s just pure, clean boost that you can feed into the amp. There’s also a bass and treble adjustment, along with a nifty little toggle that sits between the knobs, which allows you to move between a pure, clean boost tone, and a couple of preset tonal options, one in the mid-range, and another that adds a bit of ‘fatness’. Therefore, this type of pedal is predominantly used alongside other guitar effects pedals, so where would it be ideal to place it within the signal chain? As you can hear from the video demonstration featured below, these boost pedals sounds extremely good and can provide both a clean or somewhat overdriven boost range depending on your preference.
Remember to think about what you want from your pedal before you make a decision, and what to look for when you’re deciding which of two options is better. To reflect our commitment, we updated our terms and conditions. You might, for instance, want to be able to bring two guitars with differing pickup outputs closer together, and this is the perfect solution to that. The Xotic EP booster unit has received an average rating of 4.5* out of 5 stars from 111 Amazon customer reviews. It's mainly this that makes boosted signals sound 'punchier'. Just amplification. First debuted in 1968, the LPB-1 has stuck around for this long for two reasons: it's affordable, and it gets the job done. If you want an all-singing, all-dancing option that can replace not only a boost, but also an EQ, a preamp and an overdrive, then the Chase Audio Bliss Condor is the best boost pedal for you… provided your pockets are deep enough. With Black Friday on the horizon, it could be worth holding off on picking up a new boost pedal until the Black Friday guitar deals start emerging. Without tonnes of character of its own, it works best smashing a tube amp rather than for coloring a guitar signal, to our taste, but we do know players that use it as an 'always on' pedal to do just that. Additionally, the high-output resonance setting is perfect for the soloing guitarist who requires that 80’s rock, piercing overdrive. Branded a ‘linear boost pedal’, the Electro-Harmonix LPB-1 is a relatively low-budget option that is in fact a reissue of the original effects board released way back in 1968.
Ultimately, the greatest boost pedals will do nothing other than open up the tone you’ve already nailed. It’s not as strong as the full-sized spark, and it won’t allow you to alter your core tone, but it does do a superb job of giving you an extra kick for solos and other lead parts. Sometimes these issues can be repaired, but it’s far better to simply buy a high-quality unit in the first place. As you can hear from the video demonstration featured below, the unit really does provide some level of overdrive. Right around the mid-range in terms of pricing, the BBE Boosta Grande sets out from the very beginning to be the most transparent clean boost pedal on the market. As you’ll hear Steve Morse demonstrate, from the demonstration video of the pedal in action further below, these pedals are incredibly quiet, so he doesn’t even need a noise-gate. Feedback. Throw it before or after your effects chain and it’s going to work wonders. Find out about our Product Rating process and policies, Top 10 Rated Clean Boost Pedals for Guitar Solos in 2020. Two aspects that we like about the AC booster pedal are, that firstly it provides True Bypass. What this means is that when the footswitch is in the off position, and you don’t want any boost, there should be virtually no interference whatsoever - it should be as though the pedal isn’t even there, and the signal flows through as it needs to. One knob, 20dB of gain, and that's it. Ideally, you’d want to have a tone knob and a boost knob, to have a little more isolated control of the tone and volume, without them being so correlated by having a single knob to control both. By doing this, the signal is sonically ideal and just requires boosting. Finally, it’s minimalist, but certainly not in a bad way. Taking the basic premise of the treble booster a bit further, EQ boost pedals offer more sophisticated layers of tonal contouring, allowing players to accentuate specific frequencies or other tonal characteristics. What’s more, is that the ABR-1 just does not feel cheap. But as soon as you crank up the gain, it really does produce quite a thick, darker sounding overdrive. Leo plays piano, bass and drums, mixes and masters tracks, and runs everything from his home studio.
It’s got a true bypass switch and two EQ knobs and it costs this little. So what is it exactly what happens when you hit that footswitch for more boost, and how can you use this to your sonic advantage? Price: $150/£119 | Gain: 20dB | Bypass: true.