He designed costumes and sets for Broadway's Shubert Revues and George White's Scandals. It’s a good picture, and I’m proud of it. But we just hadn’t trusted it when we wrote it; we just didn’t see it. Size: 2982.826171875KB. Some Like It Hot opened to critical and commercial success and is considered to be one of the greatest films of all time. "[33] Metacritic, another review aggregator, assigned the film a weighted average score of 98 out of 100, based on 19 critics, indicating "universal acclaim". ): Billy Wilder’s Some like it hot. Tony Curtis Sings and Dances in ‘Some Like It Hot,’” Lillian Ross, The New Yorker, June 3, 2002Billy Wilder, The Art of Screenwriting No. ‘Nobody’s perfect.’ The line had come too easily, just popped out.”. Da*n! You are magic! Some Like It Hot Costume Designer GIF by The Academy Awards. Personal interview with Tony Curtis, 2004, Billy Wilder, The Art of Screenwriting No. [7] When Orry-Kelly was first assigned to films with Kay Francis they would dissect her parts. The job of a costume designer is an important one as the attire worn by actors in a production is pivotal to pulling off a role properly. [8] "Mitzi Gaynor was who we had in mind,” Wilder said. Okay this is just between us…someone you know and I don’t mean me. He thought no one looked at them because they made for ugly women. [13] Wilder's first idea for the role of Jerry was Frank Sinatra, but he never came to the audition. “That line got one of the biggest laughs I’ve ever heard in the theater. Some Like It Hot was a huge hit when it was released in 1959, but not everyone had the opportunity to see it. [8] Orry-Kelly would apply this aesthetic in the creation of gowns for a number of Bette Davis's characters as well. In terms of cinematography and aesthetics, Billy Wilder chose to shoot the film in black and white as Jack Lemmon and Tony Curtis in full drag costume and make-up looked "unacceptably grotesque" in early color tests. But when it came time to Some Like It Hot’s punch line, they were absolutely indecisive. But Orry Kelly designed for many other major stars as well and his costumes appeared in hundreds of films from the early 1930’s into the 1960’s. But then they were really going to settle it. From nearly every angle, Some Like It Hot is a weird, subversive picture: two hard-luck jazz musicians (Curtis and Lemmon) who witness the St. Valentine’s Day Massacre go into hiding as women in an all-female orchestra, and must navigate love and attraction–one lusts after the band’s sultry singer, played by Monroe, while the other is pursued by a wily old millionaire—all while dodging the mob. [18] AFI reported the production dates between early August and November 12, 1958 at Samuel Goldwyn Studios. It’s number 14 on the American Film Institute’s original 100 Greatest American Movies of All Time list (it clocked in at 22 on its 10th anniversary list) and it tops the AFI’s 100 Funniest American Movies of All Time ranking. Curtis hemmed and hawed about leaving his dressing room first, so Lemmon took the plunge and “he was like a 20-cent tart,” Curtis said. They work in a speakeasy (disguised as a funeral home) owned by gangster "Spats" Colombo. And heavens to Betsy dis he deserve it! “I had no problem with Marilyn Monroe. Orry-Kelly Academy Award Some Like it Hot. He needed to see if it could play. [3] A job painting murals in a nightclub led to his employment by Fox East Coast studios illustrating titles. Sugar confides to Joe that she has sworn off male saxophone players, who have stolen her heart in the past and left her with "the fuzzy end of the lollipop". An actual millionaire, the much-married aging mama's-boy Osgood Fielding III, tries repeatedly to pick up Daphne, who rejects him. xox, Joe convinces Daphne to keep Osgood occupied onshore so that Junior can take Sugar to Osgood's yacht, passing it off as his own. But this is where the story came from Orry-Kelly, not from me. [2], In addition to designing, Kelly wrote a column, "Hollywood Fashion Parade", for the International News Service, owned by William Randolph Hearst, during the years of World War II. Curtis and Lemmon spent hours refining their looks. His pallbearers included Cary Grant, Tony Curtis, Billy Wilder and George Cukor and his eulogy was read by Jack L. Warner. Lemmon skipped around, talked in a high-pitched voice, and was generally bubbly and ditzy. Took all the measurements of Jack. And Orry-Kelly, a very prestigious-looking man, he had one of those plastic tapes. [1], Orry-Kelly was born in Kiama, New South Wales, Australia, and was known as Jack Kelly. He kisses her before he leaves, and Sugar realizes that Joe is both Josephine and Junior. Previous Post The film cuts against the cultural grain so sharply that it’s a miracle it got made at all. [2] The elegant clothes he designed for Bergman's character in Casablanca have been described as "pitch perfect". It was a repeated motif in his designs… Very cool! So they went back into makeup, were made a little more glamorous, and went back to the bathroom. Those scenes needed the up-close physicalness. The seed that bloomed into Some Like It Hot was planted by an obscure 1951 German film, Fanfaren der Liebe (Fanfares of Love), which was a remake of an older French comedy, Fanfares d’Amour (1935). Best Actor in a Motion Picture – Comedy or Musical, Best Actress in a Motion Picture – Comedy or Musical, AFI's 100 Years...100 Movies (10th Anniversary Edition), "Muere Mac, el mítico cartelista de 'Doctor Zhivago' y 'Psicosis, "ENTERTAINMENT: Film Registry Picks First 25 Movies", "Complete National Film Registry Listing | Film Registry | National Film Preservation Board | Programs at the Library of Congress | Library of Congress", "BFI | Education | Conferences | Watch This! [70], An unsold television pilot was filmed by Mirisch Productions in 1961 featuring Vic Damone and Tina Louise. Read about his great films — including Casablanca, Some Like It Hot, and Jezebel — and his affair with Cary Grant here, and take a look at some of his fabulous creations on the following pages. [7], Billy Wilder wrote the script for the film with writer I.A.L. The soundtrack features four songs performed by Marilyn Monroe for the movie, nine songs composed by Adolph Deutsch, as well as 2 songs performed by jazz artist Matty Malneck. Joe, dressed as Josephine, sees Sugar onstage singing that she will never love again. Contrary to the instructions of Edith Head, I predict a lot of gowns at The Oscars on Sunday will look like this…. Sugar runs from the stage at the end of her performance and jumps aboard Osgood's launch just as it is leaving the dock with Joe, Jerry, and Osgood. Curtis was happy with the impersonation. She was so pissed off. Orry was a name of an ancient king of the Isle of Man. Neither of us could come up with anything better, so we shot that line, still not entirely satisfied.” Viewers felt entirely differently. Diamond and Wilder put it in the script as a "placeholder" until they could come up with something better, but they never did.[28]. [22] Monroe's acting coach Paula Strasberg and Monroe's husband Arthur Miller both tried to influence the production, which Wilder and other crew members found annoying. [44] Imitation of Life was top for two weeks before being replaced again by Some Like It Hot,[45] which remained there for another four weeks before being replaced by Pork Chop Hill. You couldn’t do what you did in the movie. Orry-Kelly was known for his ability to "design for distraction" to compensate for difficult figure shapes. “We thought about it all week. [8] Despite Monroe's contract requiring the film to be in color, she agreed to it being filmed in black and white after seeing that Curtis and Lemmon's makeup gave them a "ghoulish" appearance on color film. Yours ever When it came to developing how Junior would sound, Curtis brought out his Cary Grant impersonation.

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