Coltrane achieved his distinctive, harsh-but-beautiful tenor saxophone sound with the help of a metal mouthpiece. And although there’s now more choice than ever before, our favourite players from across the history of jazz wrestled with these questions too. Getz was nicknamed ‘The Sound’ for his beautiful, pure tenor tone. Where is the logic in that???? Conn became the first manufacturer to make saxophones in the USA in 1888, and was perhaps the most popular brand prior to the ascendency of Selmer. For the former a variety of Meyers, Vandoren, Links and Jody Jazz HR all seem to work well (metal mouthpieces seem less popular on soprano, though are certainly not out of the question). A long facing can be more difficult to control and along with a wide tip opening requires good embouchure strength if played with a hard reed. He used Medium strength La Voz reeds, which would have been fairly free- blowing. So if you are looking to buy any of these things, you may need to verify that you are getting the right size for your instrument. I recommend that for any beginners to place the mouthpiece on the neck of the saxophone before you put the reed on, Jeremy has been a part of Normans since July 2012, after completing his study at the Newark School. Also be sure to follow BetterSax on Facebook, Instagram, LinkedIn, and YouTube to stay up to date with us for news, giveaways, and other saxophone tips and tricks. Modern tenor saxophone titan Joshua Redman went the opposite way to John Coltrane and switched from a Selmer Mark VI (which previously belonged to his father, the great Dewey Redman) to a Selmer Super Balanced Action. You are using an out of date browser. On tenor the Otto Link, both metal and ebonite, fulfills a similar role - a responsive and flexible option which keeps a players options open. As with everything else to do with the sax, there’s always a bit of compromise involved in balancing these two basic elements: a tone which is all edge will be audible over the loudest big band but might well be a bit thin; conversely a fat, mellow tone will vanish without trace when put up against a loud big band or electric outfit. Keep in mind that there are saxophone mouthpieces and reeds made specifically for each size saxophone. He has his own Gerald Albright Signature Series model made by the Salt Lake City-based company Cannonball, which come adorned with semi-precious stones! Even saxophone reeds present an important decision when chasing that jazz sound. But checking out what set up your favourite sax players used can be an important step towards getting the tone and style you want when you play. Please upgrade your browser to a modern secure version to view our website. Join the mailing list for tools, resources & ideas - all free, Join the Jazzfuel newsletter and get the free PDF in your inbox today. And - in a lot of cases - there are default choices which should work well for more or less any player on any sax. Webster was a major voice of the swing era and a star of the classic ‘Blanton-Webster’ edition of the Duke Ellington Orchestra. Common sense would suggest that the alto reed has a smaller overall area of the reed that vibrates compared to a tenor reed. Required fields are marked *, Learn to play melodies by ear and improvise solos using the 5 notes of the pentatonic scale.Intermediate, Develop your ability to play improvised solos using the Blues style and language. Its easy to conclude, wrongly, that metal is simply louder than ebonite - but in fact there’s something slightly different going on.

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