Paintings from the Caucasus Now on Saatchi Art

My Saatchi Art profile has been updated with a focused selection of paintings from different periods of my work. Many of them are rooted in Georgia and the Caucasus — in horses, mountain passes, borderlands, memory, conflict and the strange beauty of post-Soviet landscapes.

I have recently updated my profile on Saatchi Art and added a selection of paintings from different periods of my work in Georgia.

Screenshot of Hans Heiner Buhr’s updated Saatchi Art profile showing selected paintings rooted in Georgia, the Caucasus, horses, mountain passes and post-Soviet landscapes.
Screenshot of the updated Saatchi Art profile of German painter Hans Heiner Buhr, based in Tbilisi, Georgia since 1996. The profile presents selected paintings connected to Georgia and the Caucasus, including works with horses, mountain passes, borderlands, refugees, post-Soviet landscapes and memory.

The works now shown there include paintings connected to the Caucasus, Tusheti, Khevsureti, riders, refugees, borderlands, and post-Soviet memory — themes that have accompanied my work for many years.

My favorite subject: The remote Caucasus and Georgia

Some of these paintings were created from direct experience in the mountains of Georgia. Others grew out of older memories, photographs, encounters, and stories from the 1990s and 2000s: horsemen crossing passes, people returning home, figures moving through uncertain landscapes, and the long shadow of history in the Caucasus.

Oil painting by Hans Heiner Buhr showing a rider and horses crossing Abano Pass in Georgia under a dark grey sky.
Hans Heiner Buhr, Rider Crossing Abano Pass, oil on canvas, Georgia.

Saatchi Art is not a replacement for seeing paintings in real life. A painting always has its own physical presence: scale, surface, weight, texture, and silence. But it is a useful platform to make works visible to an international audience and to give collectors a first overview.

My Caucasus Theme at Saatchi Art

The updated selection includes, among others, works such as The Turkish Rider, From Atsunta Pass to Girevi, Khevsur Returning to Shatili, Rider Crossing Abano Pass, Ukrainian Paratrooper, and The Horse Thief and His Wife.

Oil painting by Hans Heiner Buhr showing a dynamic Turkish rider on horseback in bold blue, green, yellow and black tones.
Hans Heiner Buhr, The Turkish Rider, oil on canvas.

For me, these paintings are not illustrations of travel or folklore. They are fragments of a larger visual world shaped by the Caucasus — by movement, exile, resistance, friendship, memory, and the strange beauty of places where history never feels far away.

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