From Darkness to Light — Paintings, Memory and the White Cube in Tbilisi

Eleven new Caucasus paintings at Vernissage Gallery Tbilisi, on the occasion of the publication of the catalog In the Prison of Art — 137 paintings from 30 years in Georgia.

Eleven new Caucasus paintings at Vernissage Gallery Tbilisi, on the occasion of the publication of the catalog In the Prison of Art — 137 paintings from 30 years in Georgia.

Hans Heiner Buhr opens From Darkness to Light at Vernissage Gallery Tbilisi on 3 June 2026 — new paintings tracing thirty years between East Berlin and the Caucasus, alongside the first presentation of his catalogue In the Prison of Art.

Eine frühe Zeichnung aus Smolensk von 1988, verbunden mit dem Aprilgedicht vom 20.4.1989 — eine Erinnerung an Aufbruch, Sehnsucht, Wut und die fragile Bildsprache der späten 1980er Jahre.

A rediscovered painting opens a door back to Dresden in 1990: Hans Heiner Buhr tells the story of Meir, a portrait of Meir Mendelssohn, created as part of a triptych that helped finance his painting studies at the Gerrit Rietveld Academie in Amsterdam.

Ein wiederentdecktes Gemälde öffnet eine Tür in die Dresdner Nachwendezeit: 1990 malte Hans Heiner Buhr das Porträt Meir als Teil eines Triptychons, um sein Studium an der Gerrit Rietveld Academie in Amsterdam zu finanzieren. 36 Jahre später taucht das Bild unerwartet auf einer Auktion wieder auf.

Three recent drawings of caravans and pack horses, accompanied by the poem Desire — a meditation on movement, longing, trade routes, and the imagined landscapes between the Caspian Sea and Isfahan.

The Caravan is a 2016 oil painting by Hans Heiner Buhr, painted in Tbilisi on two joined canvases. The work shows a rider with pack horses and herd protection dogs — one of the artist’s recurring Caucasus motifs.

My Saatchi Art profile has been updated with a focused selection of paintings from different periods of my work. Many of them are rooted in Georgia and the Caucasus — in horses, mountain passes, borderlands, memory, conflict and the strange beauty of post-Soviet landscapes.

Rare archive photographs from Tbilisi in 1998: Georgian artist Otar Chkhartishvili (1938 - 2006) and friends at the Dry Bridge art market — a small document of Georgia’s post-Soviet art world, full of improvisation, friendship and belief.

A 2012 self-portrait in my studio in Old Tbilisi — a room of work, memory, and artistic life.