From Darkness to Light — Paintings, Memory and the White Cube in Tbilisi

Eleven new Caucasus paintings at Vernissage Gallery Tbilisi, on the occasion of the publication of the catalog In the Prison of Art — 137 paintings from 30 years in Georgia.

From Darkness to Light is not only the title of my current exhibition at Vernissage Gallery in Tbilisi. It also describes a movement that has shaped much of my work: from memory into image, from the weight of history into colour, from the darkness of the Caucasian borderlands into a fragile, temporary light.

Expressionist painting of the Atsunta Pass in the Caucasus by Hans Heiner Buhr, figures and horses crossing a mountain pass, acrylic on canvas, 2025
Atsunta Pass. 2025. Acrylic on canvas.

On the occasion of publishing my new catalog “In the Prison of Art” — 137 paintings from 30 years in Georgia — my gallerist Zaira Berelidze invited me to show eleven paintings on the Caucasus theme.


From dark and fast to colour and light

In my first years in Georgia I painted on smaller canvases, fast, with acrylic as background and oil for the figures. Over the decades, my palette has shifted — colour has become the main force for evoking mood and emotion. The exhibition traces this arc.

Expressionist painting of a Shiraki rider with pack horse by Hans Heiner Buhr, oil and acrylic on canvas, 60x80 cm, 1999
Shiraki Rider with Pack Horse. 1999. Oil and acrylic on canvas. 60×80 cm.

Several works are named after mountain passes: the Cross Pass on the Georgian Military Road, the Abano Pass into Tusheti, the Arkhoti Pass in Khevsureti at 3,201 meters — places I have crossed many times, and which still feel unpredictable each time.


A Horse Thief in New York

Expressionist painting Horse Thief New York City by Hans Heiner Buhr, oil on canvas, 125x170 cm, 2016 to 2017
Horse Thief New York City. 2016–17. Oil on canvas. 125×170 cm.

The motif of the horse thief occupied me for nearly a decade, from 2007 to 2017 — a figure between outlaw, survivor and legend. Horse Thief New York City (2016–17) began with a rider at Tabatskuri Lake, shifted to Lake Sevan with Ararat in the background, and finally landed in New York, with the Twin Towers still intact. In art, we are free to shift time and place, and hand new meanings over to the viewer’s imagination.


The Digital enters the canvas

Painting Land of the Pixel by Hans Heiner Buhr, figures and horses in a Caucasus mountain pass overlaid with a grid of colourful squares, acrylic and oil on canvas, 125x160 cm, 2023
Land of the Pixel. 2023. Acrylic and oil on canvas. 125×160 cm.

With the arrival of cryptoart and NFTs in 2019, I made a great deal of digital work. In Land of the Pixel (2023), the movement went the other way — digital aesthetics found their way back into paint and canvas.


A monument to the temporary

The exhibition closes on June 17. The paintings will leave the walls, the white cube will become empty again — and the specific constellation of these eleven works will disappear.

Screenshot of the 3D digital sculpture THE ART GALLERY by Hans Heiner Buhr on SuperRare, Ethereum NFT, 2026
THE ART GALLERY. 2026. 3D digital sculpture. Minted as 1/1 NFT on SuperRare.

This fragility is what led me to create THE ART GALLERY, a 3D digital sculpture of the exhibition space, minted as NFT on SuperRare — a cryptoart monument to something that cannot be preserved in any other way.

View on SuperRare


From Darkness to Light remains on view until June 17, 2026, at Vernissage Gallery, 36 Shota Rustaveli Ave, Tbilisi. Tuesday–Sunday, 12:00–19:00. All works are available — prices from $1,800 to $3,000.

Colourful expressionist painting of the Arkhoti Pass in Khevsureti by Hans Heiner Buhr, acrylic on canvas, 130x190 cm, 2025
Arkhoti Pass. 2025. Acrylic on canvas. 130×190 cm.